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spaceking
“spaceking”
(12-track CD-R, DOW Studios, produced by Punchy, Ryan Michalski (vocals, guitars), Damond Jiniya (vocals, percussion), RJ (percussion), Punchy (guitars, vocals), 54:44)

Yeah, we, too, had a hard time believing that this was a Diet of Worms side project. From bright bombast of the opening track “Hearts & Diamonds,” it was obviously one of those Simple Minds/Psych Furs sorta phrases that set the mood for that unmade John Hughes movie in our mind. Then we had to look at the stats again. Is that Damond Jiniya singing, the new guy in Savatage? What’s going on here? This ain’t your mother’s Diet of Worms!! (read that back to us…). Well, if your lucky enough to score a copy of this before all the metal collectors scarf this up, you’ll find singer/guitar stroker Ryan Michalski actually fronts this loose aggregation of synth pop, techno lite, and ramshackled rock tunes patched and puttered by DoW’s Punchy. The potential clash of Michalski’s pop tendencies with Punchy’s industro-rampage never really materializes, of course, leaving this somewhere leveled between the two, sounding a little like Beck fronting a tour with Pigface. Some listeners may find this a puzzling combination, especially with a scurvy techno rhythm pounding against a choir resounding its ethereal “fxxx you” chorus during “Love You” here. A special “check this out” postnote for those folks who dug A Certain Ratio. Very scattered brilliance.
(contact: www.mp3.com/timeflies)

 

Email thestate@gate.net - Focus Magazine or go to www.eatmag.com 687 Central Ave. - St. Pete, \

FL 33701 - 727-895-3045

 

  Display Until Jan 10
OUTBURN #19 music Review pg94

SpaceKing - Are You Standing (RPM)
Rating:4 we have 4 of a 5 Rating
Rock Love Songs:Lead by the vision
And Voice of ryan "cosmonaught"Michalski,
SpaceKing blends punk,pop,and gothic rock
Into 12 energetic and emotional song on their
Strong debut. jeff Russell handles lead guiter,
While guests include members of Diet of Worms
And savatage.Highlights are the upbeat space anthem
Hearts & Diamonds,"the classic rock of the title track,
and the diverse and humorous "FA-q."
are you standing is dominated by song of love and romance,
Resulting in a likeble album which culminates in the dramatic ballad
"you Told me you love me"

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Spaceking
Are You Standing

 

I love this disc, but if pressed about it, I don't think I'd be able to articulate exactly why. A couple of guys with plenty of local industrial/goth/darkwave credentials got together with some friends and put out a full-length CD chock full of rudimentary, guitar-driven Goth-pop. And it rules. It probably doesn't, actually; most people would probably hate it. I don't care. A lot of Are You Standing just has this intangible, earnest quality that transcends its simple execution. The killer vibe is not omnipresent -- "ICU," for instance, falls way short. But "Space," "Special," "Read My Mind" and almost everything else strongly evoke a more innocent time, when you could fall in love at Club DNA on Kill The Keg Nite while Sisters of Mercy and Bauhaus played in the background.

Well I've finished it and have yet to get a page created for the zine but here it is I still need to add pic's and website addresses if you have pix send over and if you can give me all your webaddresses and stuff too...Hope you like this..Bob

SPACEKING
ARE YOU STANDING
self release


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Hailing from Tampa Florida Ryan Cosmonaut and the boys produce Indie Lo-Fi and Alternative Rock with style and grace.With ties to bands such as (The Genitorturers,Diet of Worms,Christian Death and Savatage) you know it's an all star lineup! The cd is equally as impressive as the members in the band.At times Ryans vocals veer from sounding like "Rob Halford/Judas Priest" to Peter Murphy/Bauhaus" to "Micheal Donelly/Translucent".
A mix of styles from over 20 years of musical influence can be found on ARE YOU STANDING and will surely knock you on your ass!

1.SPACE - A quik and dark opening to the disc maybe a "space filler"?

2.HEARTS AND DIAMONDS - Comes out with plenty of punch.One of my if not my favorite tracks off this great cd. Upbeat drum blasts, shredding guitarwork and Halford style vocals "which is a plus".

3.ARE YOU STANDING - The title cut finds itself mixed with piano melodies and acoustical elements and a mellow overall sound. No comparisons here this is the SPACEKING sound. Just great rock music with a metal and punk influence present.Incredible guitar leads and an overall kick ass track!

4.DON'T CRY - The Indie College Rock sound envelopes this great track.
The sound is full and well produced as is the rest of the disc "great job Punchy", and is a great example of the signature SpaceKing sound. Mainstream possibilities and major label backing well within SpaceKing's reach and with tracks like this it shouldn't be much longer before they are picked up by someone.

5.ICU - The Halford vocals very apparent here. A mellow track with acoustic guitars,violin and synth textures to compliment the overall sound this is acoustic excellence.

6.TELL ME - Although I'm not to crazy about the "Europe-Final Countdown" synth parts it still is an admirable track.The problem with some 80's musicians is that they tend to use something that would be better left in that era but always manages to resurface no matter who it is.

7.SPECIAL - Starts off with an almost Gothrock feel when the song starts then veers into the indie lo-fi genre.Rock music with darkwave synth lines and a touch of Gothrock in the intro.Veering from Lou Reed to Smashing Pumkins with some early 90's punk riffs.

8.Fa-Q - Chorus filled guitarwork and maybe a comical message arising here."Like the X girlfriend who has her head up her ass"? a pretty cool track with comical elements,it's always nice to see something done in fun yet maintaining itself as music with a purpose."Is that Bruce Dickenson from Iron Maiden screaming in there"?

9.READ MY MIND - Reminding me of "Jay Aston/Gene Loves Jezebel" in some of his solo work.This is a good solid track with great emotional lyrical content.Women don't seem to realize how bad they can destroy us men sometimes.But like I've said in a million reviews before this one that this is a successful mix for a great song and READ MY MIND is one of those examples of songs you and I can relate to and enjoy.

10.YOU WISH - Almost manages to pull off an Emo sound here.An upbeat punk sounding track with solid guitar,bass and drums with lead riffs from hell!
This one may even start a pit in the right enviornment.

11.BABY - An early Alternative influence shows here mixed with powerful guitar blasts and then slowing it down a touch with synthlines and punkified guitarwork.

12.PLEASE DON'T STAY - Another solid track.

13.YOU TOLD ME YOU LOVE ME - An almost Neil Young influence at work here which "is a bonified plus from this writers standpoint".A great mellow love song with a diverse sound that captures the intense feeling of a lost love.
"I love this song!"

ARE YOU STANDING is an exceptional debut release and will capture the ear of the larger label a&r's for sure! Well produced and well recorded SPACEKING are well on they're way to creating masterful Alternative Rock without sounding to mainstream but with enough qualities to be on the major music market. SPACEKING taking the Florida music circuit by storm....You can find them playing all over in the TampaBay area so catch em when you can and buy this disc or go to DEKONSTRUKTION RECORDS and grab one up you won't be disappointed.

ACyD BURN rates it 4 1/2 out of 5 stars

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best review ever !!!!!!!!!!!!!!!! 

Ryan Cosmonaught "s/t" CD
0/10 - [RPM]*
What in the name of all things terrible is this fucking shit? Jesus,
this is /awful/. I have three questions: 1. Why was this recorded?, 2.
Why the fuck did any label release this?, and 3. Why in the name of hell
did you send /this/ to /me/ to review? No one could've possibly thought
I would like this, right? Seriously. Come on. This is a joke. It's
basically a solo project from Ryan Cosmonaught of Space King on vocals
and guitar with help from another member on drum machines and such, with
Jon Oliva (Savatage) and Chains (The Genitorturers/Crumbsuckers) helping
out on a few tracks. Why in the hell those guys would've wanted to be
credited on this thing is beyond me, though. The first track, "Do You
Love Me", is a semi acoustic pop piece of shit; "Ninth Moon" follows
sounding like a poppier poor man's Nirvana or something (complete with
keyboard string arrangements and weak lead melodies); then there are
some pseudo dark acoustic-y ballad type things, including "She Makes Me
Feel", which sounds like some shitty R.E.M. meets cock rock throwaway
ballad; "She a Girl" (What? "She /a/ Girl"? No "is", "was", "likes",
"hates", or any other verb?) is a straightforward pop song with a slow
tempo, keyboard handclaps and "baby" lyrics and all that shit… I'm
stunned, simply stunned. This is an absolutely awful CD. I'm floored by
how bad this is. I mean, the recording is pretty decent, shockingly
enough, definitely raw and demo-ish, but good. And the songwriting, I
suppose, is competent. But holy crap, these songs are fucking retarded.
And don't get me wrong, I'm not Mr. Extreme Brutality over here. Throw
on some Blink 182 or some silly radio emo, if it's a catchy song I'll
dig it, I don't care. But this shit is embarrassing. Painful. Fuck, I
don't even know how to describe the sheer amazement that the lameness of
these songs brings to me. The layout sucks, too. Inexcusably so. I
actually like some of the layering of imagery on the front cover, but
other than that the layout on this thing is atrocious. It's a semi
professional CD-R with a good level of print quality, but the layout is
just a mess. It's totally inconsistent as far as color scheme and
typefaces, there are logos slapped all over the place, the live
"snapshots" are weak as hell, the credits are written in such poor
phrasing that they make little sense… it's just a huge rush job that
comes off as totally lacking in attentiveness. But then, this entire CD
is just garbage, so fuck it, who cares? Give this guy a million bucks,
studio musicians, a hotshot producer, and maybe he'd churn out a hit or
two as a ghostwriter for some goofy Matchbox 20 band or some shit. But
this is one of the worst things I've ever had to review. I should've
done this guy a favor and pretended this never came in the mail. Oh
well, too late now.
*Running time - 39:45, Tracks: 10
[Notable tracks: each and every one is totally awful, I can't take it]*
RPM Recordings - http://www.rpm-recordings.com

 

Ryan Cosmonaught
Ryan Cosmonaught

It's another project from the Tampa gang that brought you the likes of Diet of Worms, Dead Dark Slide and the killer SpaceKing. This time around, it's singer/guitarist/songwriter Ryan Cosmonaught's eponymous outing, which focuses on New Wave-inspired pop built equally on dancey beats, synths and all manner of guitars. Here, his lyrics and vocal performances are hit-and-miss (hey, every album with a song called "RockStar" is automatically suspect), and some mixes are questionable, but there are several eclectic tracks here where everything clicks. Check out the Pixies-esque "Ninth Moon"; the classic, power-popping "Movie"; the yearning guilty-pleasure ballad "I Can't Believe"; and the sunny-yet-melancholy "She's A Girl." (www.IndieRec.com)  3 1/2

Dead Dark Slide
Some of the same local upstarts who brought you the industrial Diet of Worms and Old Wave-inflected Spaceking now deliver Dead Dark Slide, a project that incorporates elements of both. It's a little more hit-and-miss than previous endeavors, but still provides some interesting surprises and a couple of top-notch tunes. "Grim" could've played in the background during that scene in every John Hughes movie when it seems that true love might be unattainable (even though we know those two will hook up in the end). The Gothic string intro and breaks in "Sax & Violins" crop up unexpectedly, pleasing the ear, even though the track's heavy moments tend to drag. "Rape" evinces a nice Sisters of Mercy feel, while the drawn-out noise-collage of "GothicNEWStarwars" intrigues and "Gothicgirl" waxes dreamily. Unfortunately, the rest of the disc comes off as either plodding or engaging in ill-advised musical ideas. "Fish Bowl" typifies the more industrial-tinged tunes' tendencies toward monotony, and "Tree" blends sub-par recording sounds and performances. On the whole, this disc comes off as just a tad on the disappointing side, but there's still a number of worthy listens contained within.rates it 3 out of 5 stars

CorrectionIn last week's Music column, a principal of Bay area-based label Peephole Records was referred to as Heidi Peel; her legal name is actually Heidi Shaffer.

Music Critic Scott Harrell can be reached at 813-248-8888 ext. 109, or at scott.harrell@weeklyplanet.com. www.weeklyplanet.com